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Julie Fogh and Casey Erin Clark, co-founders of Vital Voice Training, are excited to share "Voice (is)" - a podcast where they have conversations with people whose voices they love to dive into the good, the bad, and the messy of what makes your voice YOURS.

Expect actionable advice about public speaking, confidence, nerves, in-office communication, etc, as well as deeper discussions on what power looks (and sounds!) like, how to let go of perfectionism and use fear to your advantage, and how to show up as your authentic self in a world full of unconscious bias.

Vital Voice Training is a voice, public speaking, and communication coaching company founded to help clients communicate with savvy, charisma, and confidence. Whether you are giving a speech, leading a sales appointment or a brand new team, pitching your big idea for funding, or just finding the courage to make your voice heard, co-founders Julie Fogh and Casey Erin Clark’s extensive backgrounds in speech coaching and professional acting give them a unique perspective on what makes people want to listen. For the client, the result is your voice: amplified (not just louder).

  1. All Episodes
  2. STRUT with Rotimi Agbabiaka

STRUT with Rotimi Agbabiaka

Nov 19, 2019

Julie and Casey sit down with San Francisco actor (and Julie's fellow MFA alumni) Rotimi Agbabiaka to talk about his journey as an actor who never fit into anyone's idea of what he should be.  Along the way, they talk about visibility, claiming space, how what is "true" isn't necessarily what is "realistic" what it's like to develop the character of "God", and owning your strut.

 

Rotimi Agbabiaka is an actor, writer, director, and teacher who uses humor, glamor, and drama to challenge the status quo. Most recently, Rotimi originated the role of Salima in House of Joy (California Shakespeare Theatre) and the role of Cellphone in If Pretty Hurts Ugly Must Be a Muhfucka (Playwrights Horizons, NYC). Other acting credits includeFather Comes Home From The Wars … (Yale Rep, American Conservatory Theatre) Tom Waits’ Black Rider (Shotgun Players), Bootycandy (Brava Theater, Theatre Bay Area award), originating the role of Boy in runboyrun (Magic Theatre), and several shows with the Tony Award-winning San Francisco Mime Troupe. Rotimi's solo play, Homeless, won Best Solo Performance at the SF Fringe Festival and Type/Caste, Rotimi's next solo, premiered at the National Queer Arts Festival and received the Theatre Bay Area award for Outstanding Solo Production. Rotimi's latest solo, MANIFESTO, plays San Francisco's Brava Theater in February 2020. Rotimi also cowrote the play, Seeing Red, with Joan Holden and Ira Marlowe, receiving a TBA award nomination for Outstanding World Premiere Musical. Rotimi teaches acting, movement, and play creation to students from pre-school through college and has presented work at museums (the deYoung), in parks (with We Players), on street corners (with Jess Curtis’ GRAVITY), and on nightlife stages around the world. www.rotimionline.com